Monday, February 9, 2009
I SEE A "DEAD MOON" RISING: AN INTERVIEW WITH LUNA MORTIS' LEADING LADY, MARY ZIMMER
In a world where today's metal music is inundated with bands that sound relatively the same, have indiscernible vocals or have some sort of "core" assigned to them. It's rare to find a band you cannot assign any of the useless metal subgenre labels to, try as you might, you won't be able to label Madison Wisconsin five piece Luna Mortis with one hundred percent certainty.
With elements of melodic, thrash, and death metal in their instrumentals, combined with a vocal style that is equal parts Nightwish and Arch Enemy, this group is rapidly gaining ground with several different audiences. Nothing could be more evident of this fact then the roster of bands they have opened for in the past three years, the likes of which include Children of Bodom, Dream Theater, Nevermore and Megadeth. All this completed without even having their first full length album released themselves.
To learn anything about a band so new but yet so technically skilled you have to go to the source, the man at the top or in this case the woman. Lead singer, Mary Zimmer, who surprisingly is not only responsible for the clean vocals of the group but the aggressive, harsher ones as well is a force to be reckoned with serving a vital role that separates this group away from the pack.
How did such a talented young woman, let alone a technical and harmonious group come together to create such a distinctive sound?
The chanteuse had some interesting things to say on that, as well as life, death, the possibility of a Canadian tour, and most importantly, the release of their premier album "The Absence"
Surprisingly, this mid-western femme fatale is a relative newcomer to metal music itself. She laments, "Growing up I never really had that much exposure to that kind of music, and it wasn't until I was 18, in college that I started to see how much fit under the umbrella of heavy metal, listening to stuff like Nightwish, that's pretty much where I started with it.”
Some would say that Mary is quite attractive as female vocalists go; the metal scene has seen a spike in attractive female band members in recent years, most are talented, Zimmer feels that some however, are nothing more than a marketing tool. "Oh, it's totally a gimmick! It's really hard for a female musician when there is a whole bunch of girls out there just getting by on their looks. I am not going to mention names, but some bands are riding on the image of their one female member without actually being any good at playing music."
Not to say that Mary is entirely opposed to the idea of looking good as a female entertainer, "It's okay to be attractive, just not first before anything else."
The difficulty of being a female entertainer aside, Mary and the band has had their fair share of problems getting to the top; the group has used the term "clawing their way up" in the Wisconsin metal scene. Wisconsin being more notable for "cheese-heads" than metalheads, she justifies that, "There is lots of metal in Wisconsin, lots of Thrash, Black Metal, but it is mostly in Milwaukee where it all is, ironically there isn't much of a scene in Madison."
The band has covered most of their home territory during their DIY touring days, winning fans all over, including places like Des Moines, Iowa, home of fellow metal artists and Grammy winners, Slipknot. "Every band in Des Moines sounds like Slipknot; they are heavily influenced by them there, so when we come along it's a nice surprise for them." Zimmer says, "They are not sure what to do with us."
Des Moines may not be sure what to do, the industry certainly does though, as was mentioned earlier, Luna Mortis has already opened for some top talent in the genre. Mary's favourite band however? "After Forever, we had played with them before, when we weren't Luna Mortis yet, and built a relationship with them." She gushes, "They are the nicest Dutch people you'd ever meet, and she (Floor Jansen of AF) is the best female singer in metal." This answer clearly evoked feelings of pain in Mary, as just hours before our interview, After Forever announced they broke up as a band, with her personal connection you definitely got the sense that it wasn't just another band's dissolution to her.
Such is the way of the music industry, Luna Mortis understands this, and clearly so does Mary. She offers some advice to any new bands hoping to get their start in this notoriously tough business, "You really have to bust your ass, the one the label signs is the one who works the hardest for it, just having a MySpace page and doing a couple of gigs a year isn't going to do it."
Zimmer continues to say that "there is no such thing as being discovered anymore, it just doesn't happen, work as hard as you possibly can, put yourself out there."
This Do-it-Yourself attitude has carried the group far, as well as just sheer technical skill and talent. Mary herself is a classically trained singer, who came to harsher vocals after first hearing "Heartwork" by Carcass and At the Gates' "Slaughter of the Soul". She does remark that harsher vocals are the anti-thesis of classical training and although it helped her teach herself how to "growl" it's so different you almost have to relearn everything.
For all their hard work Luna Mortis is far from a break for a while, their roster is filled now, with their debut album "The Absence" hitting stores today. It's overall dark but empowering theme, the brainchild lyrically of guitarist and primary songwriter Brian Koenig, deals mostly with the hardships of life and the task of overcoming such bleak circumstances.
Mary's contributions lyrically to the album with "Never Give In" and "Embrace the End" fit it's overall tone, with one exception in the case of "Embrace the End", which is more about complete submission to death, with no room for a happy ending.
Another song from the album "Forevermore" is the bands first music video that will be shot sometime this month. As for touring, the band has some dates in the near future with Warbringer, nothing regrettably that will bring them out our way.
Zimmer is certainly not opposed to a Canadian tour herself she says "We'd love to! I have a grandfather in New Hamburg, Ontario and I always have wanted to reinstate my dual citizenship!"
"It's just a matter of getting on the right tour."
FOR MORE INFORMATION ABOUT LUNA MORTIS AND TO LISTEN TO SOME OF THEIR NEW STUFF FROM "THE ABSENCE" simply click HERE
Wednesday, February 4, 2009
CONCERT REVIEW: CRADLE OF FILTH with SATYRICON and SEPTIC FLESH
For some metal fans, especially those supposedly of the "True Black" persuasion, Cradle of Filth inspires feelings akin to those felt when nails are raked across a chalkboard. If you happen to be one of those individuals, Saturday night's performance at the Edmonton Event Centre was not for you, and you probably should stop reading right now.
Those of you that are still here, good on you because Saturday nights performance by all three bands was incredible not just Cradle of Filth. With openers Septic Flesh and Satyricon, the crowd was frothing over with fury by the time Dani Filth and the rest of those whom rock Filth's Cradle took the stage.
Although never intended as a promotional tour for CoF's new concept album Godspeed on the Devil's Thunder, the show did feature some of the new songs like "Shat out of Hell", "Honey and Sulphur", and "13th Caesar". Fan favourite "Nymphetamine" also made the set list that night, the shorter "Fix" version though, not the nine minute long "Overdose" which was disheartening, but you have to make some compromises when you hammer off a list of tracks like they (CoF) did.
Here's the complete set list of the night:
1) Shat Out Of Hell
2) Guilded Cunt
3) ...Dusk and Her Embrace
4) 13th Caesar
5) Nymphetamine
6) Principle Of Evil Made Flesh
7) Honey and Sulphur
8) Under Huntress Moon
ENCORE
9) Cthulhu Dawn
10) Cruelty Brought Thee Orchids
11) Her Ghost In The Fog
12) From The Cradle To Enslaved
After seeing them live, it comes as no surprise whatsoever that Dani Filth and consequently his band's sound is influenced by Iron Maiden. Dani's exuberant on stage animation, constantly jumping from raised platform to center stage and back again was very reminiscent of Maiden's front man, Bruce Dickinson. His vocal range as well make Cradle of Filth stand out among throngs of deep guttural vocalists within their own genre. Rumoured to be able to achieve eight octaves with his voice, Dani Filth can go from a brutal dirty vocal to a screeching banshee seamlessly within seconds.
Combine that with his back up vocalist/keyboardist Rosie Smith's harmonious siren song, and the gothic cathedral-like orchestration and you can't help but feel not just hear the reason why this band, however controversial is so successful.
Feel free to call them Black Metal if you want but as far as CoF is concerned, they don't fit that title that well aside from their penchants for "corpse paint". Dani even joked once on a British quiz show that his music is "heavy funk". He prefers the simple title either the bands name or Heavy Metal as he should because the whole label thing is getting a little out of control honestly
Whatever you may call them, Edmonton was proud to support them January 31st, and likely will again.
In the meantime, study up on Gilles de Rais (the French serial killer Godspeed on the Devil's Thunder is based on), Get a controversial Jesus is a C**t band tee and we'll see you at the next live show.
Oh! and one more thing, Keep those horns high!
Those of you that are still here, good on you because Saturday nights performance by all three bands was incredible not just Cradle of Filth. With openers Septic Flesh and Satyricon, the crowd was frothing over with fury by the time Dani Filth and the rest of those whom rock Filth's Cradle took the stage.
Although never intended as a promotional tour for CoF's new concept album Godspeed on the Devil's Thunder, the show did feature some of the new songs like "Shat out of Hell", "Honey and Sulphur", and "13th Caesar". Fan favourite "Nymphetamine" also made the set list that night, the shorter "Fix" version though, not the nine minute long "Overdose" which was disheartening, but you have to make some compromises when you hammer off a list of tracks like they (CoF) did.
Here's the complete set list of the night:
1) Shat Out Of Hell
2) Guilded Cunt
3) ...Dusk and Her Embrace
4) 13th Caesar
5) Nymphetamine
6) Principle Of Evil Made Flesh
7) Honey and Sulphur
8) Under Huntress Moon
ENCORE
9) Cthulhu Dawn
10) Cruelty Brought Thee Orchids
11) Her Ghost In The Fog
12) From The Cradle To Enslaved
After seeing them live, it comes as no surprise whatsoever that Dani Filth and consequently his band's sound is influenced by Iron Maiden. Dani's exuberant on stage animation, constantly jumping from raised platform to center stage and back again was very reminiscent of Maiden's front man, Bruce Dickinson. His vocal range as well make Cradle of Filth stand out among throngs of deep guttural vocalists within their own genre. Rumoured to be able to achieve eight octaves with his voice, Dani Filth can go from a brutal dirty vocal to a screeching banshee seamlessly within seconds.
Combine that with his back up vocalist/keyboardist Rosie Smith's harmonious siren song, and the gothic cathedral-like orchestration and you can't help but feel not just hear the reason why this band, however controversial is so successful.
Feel free to call them Black Metal if you want but as far as CoF is concerned, they don't fit that title that well aside from their penchants for "corpse paint". Dani even joked once on a British quiz show that his music is "heavy funk". He prefers the simple title either the bands name or Heavy Metal as he should because the whole label thing is getting a little out of control honestly
Whatever you may call them, Edmonton was proud to support them January 31st, and likely will again.
In the meantime, study up on Gilles de Rais (the French serial killer Godspeed on the Devil's Thunder is based on), Get a controversial Jesus is a C**t band tee and we'll see you at the next live show.
Oh! and one more thing, Keep those horns high!
Tuesday, February 3, 2009
YOU REALLY SHOULD GET THAT LOOKED AT: An Interview with SEPTIC FLESH
It is starting to feel like Mount Olympus here in Edmonton with the amount of Greek Metal Gods that have graced our city in the past year, with such bands playing here as FireWind, Rotting Christ, and now Septic Flesh.
Relatively unknown to the mainstream, the group has been an entity in their native Greece since 1990. This semi-veteran level of talent, ability and skill really showed as they opened up for Cradle of Filth and Satyricon Saturday night at the Edmonton Event Center. Showcasing songs from their repertoire including some from their recent classically infused masterpiece album Communion, the depth of which is brought together nicely with the backtrack of an actual eighty piece orchestra they used while recording the album. Add in the ferocious vocal style and stage presence of lead singer/bassist Seth Siro Anton and you had an impressive showing by a band otherwise unknown to North American audiences.
This being the group's first time playing in Edmonton, not to mention doing a cross Canada tour, The Forge had the opportunity to find out what Septic Flesh (SF) thought of our city of champions.
Forge: How do you like being in Edmonton, and touring Canada?
SF: Honestly, it is probably one of the best shows we've had on the tour of North America, when the crowd did the wall of death* it was great!
Forge: You and Rotting Christ are both from Athens, any chance of you two touring together?
SF: Maybe, but not right now, they are great friends of ours, Christos (Guitar/Orchestral) has done some of the orchestral backtrack work on their album. With us still being at a different level than those guys, if we started touring with them, we wouldn't want people to think we got on the tour because we're friends. Someday we will tour, but not now. We are currently planning a tour that would include North America in the near future possibly with Behemoth, but that is still just talk. They are closer to our sound than the bands on this tour, these bands are not that different but they (Behemoth) are much closer.
(*a wall of death, is when the crowd splits and each side left and right come at each other, colliding with one another similar to a mosh pit)
A tour with Septic Flesh and Behemoth would be well received for sure, especially for Edmonton, a city that is constantly overlooked in favour of other cities in the eastern part of Canada or worse yet Calgary, just kidding Calgarians!
Bands like Septic Flesh, and their European counterparts unanimously agree that making the trip across is tough and when the rare tour including them on the bill crosses the pond, it is unfortunate that our city let alone the west gets left out of the party. We, the metal fans, need to show our support by going to these shows and who knows? Maybe we'll have a heavy metal version of the Calgary Stampede right here in our beautiful city of metal er, I mean champions, our own western Canadian version of Wacken.
Until that happens, keep the horns high Edmonton!
For more info about Septic Flesh check them out online@ http://www.septicflesh.net/
Relatively unknown to the mainstream, the group has been an entity in their native Greece since 1990. This semi-veteran level of talent, ability and skill really showed as they opened up for Cradle of Filth and Satyricon Saturday night at the Edmonton Event Center. Showcasing songs from their repertoire including some from their recent classically infused masterpiece album Communion, the depth of which is brought together nicely with the backtrack of an actual eighty piece orchestra they used while recording the album. Add in the ferocious vocal style and stage presence of lead singer/bassist Seth Siro Anton and you had an impressive showing by a band otherwise unknown to North American audiences.
This being the group's first time playing in Edmonton, not to mention doing a cross Canada tour, The Forge had the opportunity to find out what Septic Flesh (SF) thought of our city of champions.
Forge: How do you like being in Edmonton, and touring Canada?
SF: Honestly, it is probably one of the best shows we've had on the tour of North America, when the crowd did the wall of death* it was great!
Forge: You and Rotting Christ are both from Athens, any chance of you two touring together?
SF: Maybe, but not right now, they are great friends of ours, Christos (Guitar/Orchestral) has done some of the orchestral backtrack work on their album. With us still being at a different level than those guys, if we started touring with them, we wouldn't want people to think we got on the tour because we're friends. Someday we will tour, but not now. We are currently planning a tour that would include North America in the near future possibly with Behemoth, but that is still just talk. They are closer to our sound than the bands on this tour, these bands are not that different but they (Behemoth) are much closer.
(*a wall of death, is when the crowd splits and each side left and right come at each other, colliding with one another similar to a mosh pit)
A tour with Septic Flesh and Behemoth would be well received for sure, especially for Edmonton, a city that is constantly overlooked in favour of other cities in the eastern part of Canada or worse yet Calgary, just kidding Calgarians!
Bands like Septic Flesh, and their European counterparts unanimously agree that making the trip across is tough and when the rare tour including them on the bill crosses the pond, it is unfortunate that our city let alone the west gets left out of the party. We, the metal fans, need to show our support by going to these shows and who knows? Maybe we'll have a heavy metal version of the Calgary Stampede right here in our beautiful city of metal er, I mean champions, our own western Canadian version of Wacken.
Until that happens, keep the horns high Edmonton!
For more info about Septic Flesh check them out online@ http://www.septicflesh.net/
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